Now that I've got an iPod I'm getting the opportunity to listen to records which previously I could never get it together to burn onto a CD or just remember to stick in my bag or my discman in the morning. Amongst other things, I've had a proper chance to listen to the recent album by Bloc Party - 'Silent Alarm'. After a couple of listens, I'm pretty sure that it's the closest thing I've heard in a good while to the perfect LP. The production is impossibly shiny, it's a perfect length, every song is bright, poppy, articulate and tuneful.
Additionally, it's the most boring album I've heard in ages.
The first comparison that springs to mind is with last year Futureheads album, which is another where practically every track is perfectly executed, where almost every song would make a smashing single. If anything, Bloc Party have even more strings to their bow, for they replicate the F'heads devotion to Wire, XTC and the Gang of Four but go further, referencing New Order, Fun Boy Three, Pil and the Happy Mondays along the way. The lyrics veer between poetic symbolism and naked political urgency. There's even a track ('So Here We Are') which is a kind of indie version of 'Blinded By The Lights' or 'Dreamy Days' - an E song. In other words, this is the most tasteful, modern (and nostalgic) record you'll hear in 2005.
If you buy it (or download it) you don't need to bother with getting hold of new stuff by the Killers, Interpol, Maximo Park, the Editors, Kaiser Chiefs or New Order - it does everything those records do. And almost every song is brilliant. But put together I'm aching to hear some mistakes, an unwise reggae song, a moment where - momentarily - the rhythm section aren't metronomically of a single mind. Doesn't even one of Bloc Party own a record made by a band without asymmetrical haircuts? The problem with an album where everything is perfect, immaculately mastered and segued is that there are no standout tracks, no big surprises. They frequently sound like Great Escape-era Blur, but there's no odd, sudden 'He Thought of Cars', 'The Universal' or 'Yuko and Hiro', and certainly no cheesy, throw away errors of judgement. It's just relentless, consistent, great music.
What a disappointment!