Friday, November 28, 2008

albums from 2007

Here at Assistant Blog Towers I'm beginning to think about my records of the year so that I can indulge in a bit of list-making, and it occurred to me - in particular after hearing the Wave Picture's Dave Tattersal talking about his intuition that we wrongly favour what is new over what is special - to look back and see how many records from last year's list I still rate really highly.

And then I discovered that I never posted a 2007 list, despite a clear memory of writing it. So a trawl through my huge drafts folder located this unpublished list, compiled in January of 2008, of my favourite albums of 2007. What's interesting is that firstly I had remembered '07 as a particularly bad year for albums, and yet I was surprised how many great records I singled out. Equally, there are a few there that quickly lost their sheen. So here's the list, as written, with the exception that I've put any records I still listen to frequently in bold. There's nothing on there I'd disown, but the paucity of bolded items indicates that it's interesting what insights a bit of distance and perspective can bring.

1. Field Music - Tones of Town
2. The Good, the Bad and the Queen – s/t
3. Scout Niblett - This Fool Can Die Now
4. PJ Harvey – White Chalk
5. Jeff Lewis – 12 Crass Songs
6. Electrelane - No Shouts, No Calls
7. Burial - Untrue
8. Seabear – The Ghost That Carried Me Away
9. Dinosaur Jr - Beyond
10. Cribs – Men’s Needs, Women’s Needs, Whatever
11. LCD Soundsystem – Sound of Silver
12. Thurston Moore – Trees Outside The Academy
13. Von SudenfedTromatic Reflexxxions
14. Panda Bear – Person Pitch
15. Prinzhorn Dance School – s/t
16. Deerhunter - Cryptograms
17. Mountain Goats – Sunset Tree
18. M.I.A – Kala
19. Robert Wyatt – Comicopera
20. Horrors – Strange House
21. Prodigy (Mobb Deep) – Return Of The Mac
22. Shocking Pinks – s/t
23. Clipse - Hell Hath No Fury
24. Twilight Sad – 14 Autumns and 15 Winters
25. Holy Fuck – s/t

2008 list to come quite soon, when I'm finished arguing with myself.

Monday, November 24, 2008

band tees

On 6music tonight Steve Lamacq was endorsing the idea of band t-shirt day; a day when all of us who spent our teenage years collecting band t-shirts unite to dig one out and wear it to work. I think the point of this was probably that those of us old enough to remember The Inspiral Carpets would have long grown out of this habit, which isn't strictly true in my case; in recent years I've picked up several band tees, inspired not so much by showing off my allegiances but rather the fact that they seem to be so well designed these days. And I'm afraid I still wear them to work, so band t-shirt day might not be such an event for me. Nevertheless, it did make me think about some of the band t-shirts I've bought over the years.

- Aged about 14 or so I went to see The House of Love at Middlesex University, escorted, I'm afraid to say, by my father. They were wonderful, as you might expect, but my strongest memory of the evening is of leafing through a pile of bootleg tees laid out on the grass outside the venue. The ones I fixed on were two old, faded, but wonderfully exotic and eccentric Cure t-shirts; riotous colours against, of course, black. I remember making my dad buy me them, and the misty, musty smell of them, cold to the touch and still a little damp from the wet grass.
- At Mile End, watching Blur in 1995, I missed the entire Cardiacs set (I know!) so that I could queue up for a pint of beer and a t-shirt; the beer I quickly spilt, weaving my way back through the crowd, and the t-shirt (dark blue with the band logo across the front) I lost long before the end of the gig. Ah well.
- At a different Blur gig someone offered to swap me their Bluetones t-shirt for my vintage Nike t-shirt. Of course I refused, glowing in the knowledge that I possessed an enviable tee. In retrospect, I think it was one of my mum's old t-shirts which I liberated from her drawer.
- Much more recently, I bought a really nice Midlake t-shirt at a gig in Brighton; I was very pleased with it indeed. At the end of the show I handed it to Anne-Sophie for a moment so that I could nip to the loo. When I returned it was covered with marker pen doodles, as AS had thoughtfully asked each member of the band to draw an animal on it for me. This was good. But as a consequence I've never worn the t-shirt. Bah.

Sunday, November 23, 2008

the streets of my town

Had a very pleasant afternoon trotting around Camden Town yesterday. Although it was the stomping ground of my teenage years, I've not been back much lately and was pleased to discover that the slow spread of big business towards the lock (a Starbucks by the canal!) has not really diminished the singularity of the place; it remains the go-to place for those looking to take part in tribal activity; everybody there is a something. A goth, a hippy, a mod, a rocker.

It's a long way from being an epicentre of hedonism - most people just stand around, inhaling joss stick smoke or squinting through pub windows for empty tables - but everyone there seems to be making a statement, that they are out without purpose, open to opportunity, trying to belong. Had I not been exactly the same in my teens, I might be a bit dismissive, but I remember that peculiar, probably false, feeling that you had to escape everyday life, where you didn't fit at all. And go somewhere where others felt the same. Silly, but rather lovely.

It's all still there. At the same time, just a little bit of the danger seems to have gone - the streets are cleaner, the drug-dealers more cautious. But probably that's better, rather than worse.

Thursday, November 20, 2008

currently listening to...

1. It Hugs Back - Work Day 7"; over a clutch of singles, It Hugs Back are slowly burrowing the thought that they might be the most promising band in the UK right now into my head. Like Field Music - another band who grew and grew on me, until at last I loved them unconditionally - they are devising a sound of quiet genius. This latest single is lovely.
2. Deerhunter - Microcastles/Weird Era Cont... LPs; two blissful albums from one band, released on the same day. You can't argue with that. But which is better? I really can't decide.
3. Brighton MA - Amateur Lovers LP; another massive grower - at first I dismissed this as Dylan-lite, Midwestern indie rock, but I was quite wrong. Beautifully arranged and heavy with feeling, this is a dour cracker.
4. Emmy The Great - We Almost Had a Baby 7"; We're finally at the countdown stage of the long, long, long wait for Emmy's album. Thank goodness. The A-side you should know already. The b-side, 'Short Country Song', is spellbinding.
5. Wreckless Eric and Amy Rigby - s/t LP; totally unexpected return from the marvellous Eric - this is a bright, funny, loopy return; some lovely, lovelorn and frazzled songs that could sit next to Robyn Hitchcock or Kevin Ayers in any record collection.
6. Don Cavalli - Cryland LP; an amazing, technicolour, love-it-or-hate-it effort from this Parisian loner; a twisted combination of delta blues, psychedelic rock, Beefheart and Devo.
7. Francois Virot - Yes or No LP; An interesting, simple collage of acoustic guitar and handclaps which somehow recalls Animal Collective and XTC. Odd, intriguing, good.
8. Wallpaper - On The Chewing Gum Ground LP; Three-piece power pop from Washington State; this is a patchy but occasionally great combination of Make Up, The Jam and, er, The Merton Parkas.
9. Stricken City - Lost Art 7"; not quite as great as their super debut, 'Tak o Tak', but a great pop song nonetheless, and the band evidently possess, in Rebekah Rah, a bit of a star in the making.
10. CaUSE Co-MOTION - It's Time LP; this one's only at the bottom of the list cause I've had it for a while; it's terrific, energetic stuff, imbued with the spirit of The Pastels and their kindred spirits The Vivian Girls. Infuriating band-name capitalization thing notwithstanding.

Friday, November 14, 2008

new stadium plans

Is it alright for me to blog about football if I pretend that I'm blogging about architecture?

Actually, I think I am blogging about architecture. The football back pages are buzzing at the moment with the news that my club, Tottenham Hotspur, have announced plans for a new stadium, which is being built on the existing site at White Hart Lane. What makes that interesting to non-Spurs fans, I think, is that the plans for how they'll do it are really rather interesting. The intention is to start building the new ground directly behind the current stadium, and progress as far as they can with it before demolishing the current ground and moving the pitch up into the new building. At no point during the process will the capacity drop below it's current maximum (36,000) but at the end the club will have a shiny new ground with room for 60,000 people. The pictures below - which are the real reason for the post - demonstrate the process. Kind of fascinating, and oddly pretty too.

Here's an explanation of the process:

PHASE ONE: New stadium build commences to the north of the existing ground. The stadium remains in use at full capacity.

PHASE TWO: Out of season, the North Stand of the existing stadium is demolished and the new pitch is laid.

PHASE THREE: The partially-completed new stadium is in use for one season. The remainder of the existing stadium is demolished.

PHASE FOUR: Out of season, the remainder of the new stadium is completed, ready for the start of the following season.
Just hope the new stadium doesn't turn into an anonymous, atmosphere-free dome like the Emirates. Unfortunately, looking at the drawings, it looks very similar.

Monday, November 10, 2008

mural off brick lane

Sunday, November 09, 2008

first aid kit

I feel a bit guilty liking Sweden's charming First Aid Kit so much, as they sound so like Peggy Sue that I feel as if I'm cheating on a cherished girlfriend with her sister. Their mini-album, Drunken Trees, has many fine, spine-tingling moments on it, but the track of theirs that's impressed me the most is their YouTube cover of the Fleet Foxes' Tiger Mountain Peasant Song. Here it is:

Wednesday, November 05, 2008

fireworks for obama

Whose idea was it to schedule Bonfire Night the day after the American election? Really bad timing; I think after staying up ‘til five o’clock last night any participation in the festivities tonight would be bordering on suicidal. Ordinarily I watch the fireworks at Hove Cricket Ground, which are always reliably ace, and do so from the considerable comfort of Dave and Eleanor’s balcony, but this year the option is nixed as Dave has rather inconsiderately moved out and I keep meaning and failing to catch up with the elusive Eleanor. I did weigh up the thought of watching it on the cold grass inside the stadium, but after last night’s excess and excitement, that appeals rather less. So tonight the emphasis is on warmth and an early night, possibly with a few fireworks glimpsed through the skylight.

The election, of course, was wonderful. Dan, Sam and myself convened on Ant’s new flat for a delicious Roast dinner and wiled away the pre-election hours by listening to Throbbing Gristle and watching the telly on mute. Adverts, in particular, were a delight; no matter how bucolic or serene it may otherwise be, no advert can survive a soundtrack of the Gristle’s ‘His Arm Was Her Leg’ without being rendered impossibly sinister.

That done, we dashed over to the Shakespeare’s Head for a few drinks before retreating to the flat to watch Obama romp home. Of course, it took a bloody age, and we ran so completely out of alcohol that we were driven to contact Brighton's own Booze Brothers (men who deliver alcohol to drunks in the middle of the night) who, sadly, were otherwise engaged, leading Sam to make the desperate decision to race back to Compton Avenue to get some more wine. By about half four or so it was unarguably clear that Obama had won, and we watched with glee as the last States fell. It was a genuinely amazing, delightful thing to witness and watching I felt privileged, as if I were an actor in the drama unfolding, simply by virtue of being able to look on and cheer. Hurrah for Obama.

Have a lovely Bonfire night.

michael crichton

Just heard that Michael Crichton, the thriller-writer and author of Jurassic Park has died; I take no pleasure in this - indeed I'm a secret fan of his glossy, imaginative, high-concept science novels ('Prey' being my favourite) - and nor do I think that his death is anything to joke about (unlike those bastards Brand and Ross, who are doubtless cracking rude jokes as I type); but I'm deeply impressed with this silly, clever, flippant update to Crichton's Wikipedia page, added today:

Death
Michael Crichton died November 5, 2008, from a rare Andromeda strain of cancer. After what initially appeared to be a hopeful run at remission as a result of the controversial new Carey Treatment, Crichton’s timeline ran out. The late author, known by some as “The Terminal Man”, opted not to provide the public with full disclosure regarding his illness, but rather to keep it within his personal sphere of close friends and family. He was noted to have kept his zero cool, despite what must have indeed been a state of fear. Crichton was 66 years old. Jurassic Park.
Brilliant. But his death is a loss - there are comparitively few thriller writers I rate (and even Crichton's prose is often terrible), but he is one I've always enjoyed reading.

Tuesday, November 04, 2008

your stupid trendyness is killing the world

obama

Despite feeling reasonably confident about today's US election, I feel, at the same time, horribly nervous today; or perhaps impatient is a better description. Does anyone know what time the results are expected to come through? There's a part of me that wants to do an all-nighter, but instead I think I'll just go to bed early, so that I wake tomorrow the sooner, and know.

Thursday, October 30, 2008

no brand awareness

Obviously this whole furore about Russell Brand and Jonathan Ross is unbelievably overblown, and the news that the head of Radio 2 has now had to resign is just utterly ridiculous. The comments were in bad taste and an apology should have sufficed, and would have had it not been for the tabloid press and the large percentage of the 30,000 people who complained despite not even listening to the show. The eagerness of public figures to damn the two presenters is yet further evidence of Chris Morris's 'Brass Eye' thesis; that celebrities and politicians are only too happy to speak up over issues of which they have zero knowledge. Gordon Brown's latest comments demonstrate this ably; they are utterly fatuous. He said:

"I simply wanted to express the views of the general public that this was inappropriate and unacceptable behaviour on the part of leading personalities to whom many people look to as role models. I leave it at that."

To whom many people look to as role models!!?! What the fuck is he talking about? Brand and Ross aren't role models, they are comedians. This whole debacle has been massively disappointing.

Tuesday, October 28, 2008

job interview from hell

"I need a personal statement, this is all no good - I can't use any of this"

I pointed out that there was a personal statement at the top of the page, under the title 'personal statement'.

Just spotted this wonderful post from Richard de Pesando over at his busy Grey Area blog: pretty much everyone has a nightmare job interview story, whether they've been in the job market for months, years, or decades, but I'd like to congratulate Richard for handling his nightmare with coolness and aplomb.

I hope if I'm ever in a situation like this, I handle myself as well as he did.

Monday, October 27, 2008

edwyn collins' bird drawings

The story of the most recent few years of Edwyn Collins’ life is, despite being fairly traumatic, ultimately a cheering tale – for although his slow recovery from a terribly serious stroke in 2005 has been painful and limited, he has overcome huge odds to regain power over his life and his art, and is as a consequence once more playing live, writing songs, singing and performing. But the process of healing began not with a return to the studio but with the pain-staking process of learning to read again, and learning how to draw with his left hand, having lost the use of his right. Now, a couple of years on, Edwyn is once more full of hope and confident about the future – which is wonderful stuff. In the Guardian today, he writes:

"I drew my first bird, a widgeon. It's quite crude, but I was pleased with the result. Each day I drew at least one bird. I was tired back then, but my stamina has grown. I could see my progress with each bird. Up, up, up. It's encouraging. (…) When I draw there is no interference. Since my stroke, I am interfered with quite a lot. And this is not to my taste, although I have been very cooperative. But when I draw, I am in charge; I don't have a therapist or a wife bossing me about. I'm left to my own devices, in a world of my own. Drawing was the first skill to come back to me, so it meant the world. If I can draw, what else can I do? It gave me back my confidence in myself. And my dignity."
Edwyn Collins: British Birdlife, a collection of his bird drawings, is showing at the Smithfield Gallery, London EC1, until Saturday. Some samples below.

Saturday, October 25, 2008

broken doors

Strange goings on in my building today. It started before breakfast, when I was half-woken by a banging sound from downstairs, and developed when, mid-morning, I left my flat and trotted down the stairs to check the post then head into town. In the entrance lobby to my building there's a big shelf where post for the three flats tends to accumulate, but I was surprised to see this morning that the shelf was entirely clear - which was particularly troubling as I noted yesterday that there were a couple of bills there that I'd neglected to pick up.

Surprised, I placed my hand on the latch of the front door, preparing to twist it and pull, when the door swung back freely towards me. Moving through it I glanced down and watched the lock casing in the door frame fall away. Squinting closer I realised that the door had been crowbarred open; the wood in the frame splintered and broken. I frowned. Someone had broken in to steal the post?

I wondered what to do. And then turned and noted with surprise that the front door wasn't the only door that was open. So was that of the ground floor flat, which was an inch or two ajar. I hesitated then rapped on it. A moment or two later a guy arrived, looking incredibly dishevelled, and explained in broken English that he didn't understand me, as I stood pointing at the front door and the missing post. Eventually he understood that I was telling him his door was open, thanked me, and shut it.

I trudged upstairs to ring the freeholder and inform him of the broken door. And then I noticed that the door of the middle floor flat was open too. Extremely odd. I moved into my own flat and, by now feeling a bit nervous that something was up, locked it behind me. Of course, my darker suspicions were unfounded, and the guy who owns the building, once I'd phoned him, explained that he already knew about the door, had been round to see it and had taken away the post (which he took to be belonging to previous tenants) with him. Apparently one of my other neighbours had reported the door broken earlier, but his suspicion, he told me, was that they had broken it themselves having forgotten their keys, and had to break their own door too. The banging I'd heard had been a locksmith fixing their internal entrance, he'd surmised.

So really nothing to worry about, but the strange concatenation of events left me feeling quite edgy and bothered for a while afterwards. Since I returned to the flat after my afternoon in town, the house still doesn't seem to have quite quieted down. There's an argument going on somewhere in the building, much slamming of doors and a troop of noisy Poles standing in the garden out the back. Every time the house lapses into silence there's another odd noise, a bang or a whoop or a yell, which disturbs the peace again. It leaves me tense, always waiting for another small disturbance. In the meantime, the landlord never did send someone round to fix the front door, so doubtless we shall all be murdered in our sleep by opportunistic intruders...

jeremy warmsley

Brighton's Resident Records is easily one of the best and friendliest shops I've been too, and it often hosts mini-gigs on a weekday earl-evening - the most recent I attended was a set by the folkster Jeremy Warmsley, who only played four or five rather slight songs but charmed everyone in the shop in the process. I wasn't totally sold; his songs need to take the odd unexpected diversion every now and again to stop them being a touch safe; but generally speaking he's certainly talented and likeable, and he's got a great record in him somewhere, I think. He's a particularly interesting lyricist, combining a deft sense of humour, a knack for storytelling and a smatter of self-deprecation.

Here's a quick video, taken by Dan, of the last song he played; a cover of New Order's marvellous 'Temptation'.

Wednesday, October 22, 2008

wave pictures nearly carbon neutral

Surely making a play for being Britain's hardest working bands, or just intent on wringing every last royalty out of their record deal (I'm sure it's the former), the marvellous Wave Pictures have yet another new record out this week - the Pigeon EP. This would ordinarily be interesting in itself, for their ramshackle, naive and yearning songs have shone very brightly this year, but it's particularly interesting in that the band are promoting the single as the 'greenest single ever'.

In order to make what they hoped would be the world's first carbon neutral EP, the band (and their engineer) walked to the solar powered studio where they recorded the four songs (actually made in tandem with fellow Moshi Moshi labelmates Slow Club), then uploaded the results directly to the internet afterwards. There's no art work, no physical product, and no press-release to accompany it. Unfortunately they didn't quite manage their aim of going fully carbon-neutral, as they needed to fire up their servers to deliver the songs to iTunes - but that aside it's pretty impressive stuff.

What you really want to know, of course, is whether the songs are as good as those on the band's wonderful Instant Coffee Baby LP, or the even better Just Like A Drummer single which followed it. No fear of disappointment here - on a couple of listens every song is a winner, but the best is Long Island, a live-favourite of such wondrous beauty that is was almost inexplicable that it wasn't recorded for the album.

It's been worth the wait though. The Wave Pictures are not just busy and environmentally aware, then, but also bloody brilliant.

sabali

A couple of years ago I picked up Amadou & Mariam's stunning 'Dimanche à Bamako' album and was blown away not just by the wonderful songs but by the fact that on several occasions the vocal melodies the husband and wife duo struck up seemed like exact echoes of the melodies that Damon Albarn has been using - not just in the last few years, when his interest in African music has been well known, but right through his career. It seemed like an incongruous but strangely apt comparison, and one of those happy accidents of art which sometimes magically occur.

Their new single, the gorgeous 'Samali' contains yet more of these hypnotic melodies, but if the rest of the song also rings bells it's because it's been produced (and, one suspects, co-written) by Albarn himself, who spins a spellbinding concoction of echoey keyboards, beats and atmospherics around the vocal, producing along the way a song that sounds utterly modern without ever sounding contrived. It's a magnificent single, and deserves to be a hit. You can stream it here.

Monday, October 13, 2008

i hate you sarah palin

i like katie beaton's comics

Her website is here.

the movements of a plant underwater

This is from Tim Parks' lovely, teasing new novel, 'Dreams of Rivers And Seas':

Elaine was kind to him, but busy. In the past, she had been the vulnerable one. Now she had her rehearsals, she had a place in the world. Practising her mime in the sitting room, she swayed round the sofa with staring eyes, arms waving languidly. 'After the explosion,' she said. 'I'm supposed to be looking for my baby. But how can I really know what it would be like after an explosion?'

John watched her, her arms and wrists in particular. They were the movements of a plant underwater, he thought.

take it back

This is rather marvellous; Marcel Reich-Ranicki, a German literary critic - who has been made the recipient of a lifetime achievement award in the country's annual TV backslapping ceremony - has reacted in the customarily curmudgeonly way which we have come to expect from eminent literary types; he's handed it back and had a jolly good moan, too - wonderful.

From The Guardian:

"I don't belong here among all this rubbish," the 88-year-old critic and author said from the stage of the annual German Television Awards gala in Cologne. "I have been given many literature prizes in my life, but I don't belong in this line-up. If the prize was linked with money, I would have given the cash back too."
But not just declined to attend, obviously.

Monday, October 06, 2008

birthday fun

- It's two o'clock in the morning the day after my birthday, and I am standing in Dan's bedroom with my arms flailing around. To my right, Dan is doing the same. Victoria stands opposite, and she is bent double with laughter. Eva is shouting "Now!" at me. At that moment an inflatable globe hits from me, as if from nowhere, square in the face. The room flashes repeatedly from dark to light.

- My birthday is passed now, and my hangover fully faded, so I can look back objectively on another really pleasant anniversary spent in the company of my friends. On Friday I went for a quick drink with AS and Rich, which was ace, and met up with Dan, Morgan and Ant too before I dashed out for dinner with Siobhan, and then on Saturday night pretty much my whole group of friends accompanied me out to the Crescent for a night of drinking and cheering - and lots of lovely and extremely well-chosen present-giving, too.

- Lots of bird-related presents this year, which is wonderful. I appear to be fast developing a reputation as the bird-man of Brighton, although I think it vital that I point out that my love of my feathered friends is primarily aesthetic and cultural rather than ornithological; but Ant hit the nail on the head exactly with his present, Graeme Gibson's 'The Bedside Book Of Birds', which is the most beautiful anthology of poems, stories and illustrations pertaining to the amazing little animals. That may sound boring to some, but it's not, so anyone with an interest should scurry to the bookshop in search of a copy immediately. Elsewhere, I got a host of amazing pressies, including wonderful books from AS, Vic and Andrew and a CD from Dan which I've been listening to all evening; 'Nigeria Rock Special', which is a bewildering and brilliant compilation of psychedelic afro-rock and jazz-funk from 1970s Nigeria. Ace.



- At the end of the night we raided the late-night shops for cheap beer and repaired to Dan's; from which point on I only remember so much - fetching Ant a glass of water when he'd drunk too much, Ant throwing a tube of pringles at me, dancing to Blur with Ant in Dan's room. And lots of other cool things which didn't involve being drunk with Ant.

- And now we discover the strobe lights. Dan bought them for a party, so we position one at either end of the room, turn the effect to slow and switch off the lights. What remains is just a series of stills; four or five of us throwing a ball around and watching it shudder across the room, one moment visible and the next obscured. Perhaps three times out of ten someone will catch it. We holler and whoop and laugh, and miss again. I don't mind getting older one bit.

back in the day

A few years ago - as alert readers will remember - this blog was a (semi) focused thing, dedicated to blogging about, and publicising the scrappy, half-rehearsed antics of my band Assistant; which still sort of exists in our imagination and in hazy plans to get together and rehearse again, but which has a long-time since been publicly dormant: no gigs for quite a while, although never say never.

Back when we were young, we looked and sounded a bit like this.

Monday, September 29, 2008

currently listening...

1. Stricken City - Tak O Tak (buzzy, energetic indie pop from this new London group - recommended)
2. Neil Halstead - Witless Or Wise (Neil's Oh! Mighty Engine LP has been the slowest burning record of 2008 for me, but I think it's probably my very favourite)
3. The Wave Pictures - Our Perfect Lovers (quite amazing that the Just Like A Drummer mini-LP contains so many brilliant, brilliant songs. This is the best).
4. Dinosaur Pile-Up - Love Is A Boat And We're Sinking (loving the simplicity of this one; looped, wonky guitar riffs always work a treat; and some great harmonies, too)
5. Peggy Sue - All In My Grill (I challenge you listen to Rosa and Katy's take on the Missy Elliot track without bursting into laughter. As they do).
6. Frokost - Hanging Out With The In-Crowd (from their really good The Sound Of My Wooden Chest LP, which I picked up in NY)
7. Underground Railroad - Sticks And Stones LP (grunge is back. Again?)
8. The Vivian Girls - LP (only just heard this, so will hold back on the enthusiasm for a bit, but I think this'll be on my record player a lot this autumn)
9. Jenny Lewis - Acid Tongue LP (Still struggling with Rilo Kiley, despite Dan's promptings, but I like this new album a lot)
10. Aaron Neville - Hercules (old New Orleans funk from a Soul Jazz comp; came across it on shuffle and addicted now...)

Wednesday, September 24, 2008

polar books

This bookshelf, via Rosie's lovely Old Old Fashioned blog, is absolutely brilliant! How cool is that! Sadly he costs a pretty sum; two thousand pounds. But that seems almost worth it, somehow.

Tuesday, September 23, 2008

east village colour

This won't look very good in the narrow confines of my blog template, but below is a set of photographs I've stitched together; the subject is a long wall in Manhattan's East Village, culminating in a little pub (shown above) called The Mars Bar. Click on the long image and it should show you a close up.

Saturday, September 20, 2008

fox on parenting

I check out of my apartment today, so I should really be jumping up and packing so that I can get out early and spend as much time in NY as possible, but actually I'm lying in bed watching Fox News; a channel which has provoked much horror and fury over the week, but right now just laughter, as they had some idiot on just now promoting his new book, called 'How To Raise a Happy Child'.

Here's the first question he was asked. "So, how would you react if you're child came to you and said, Daddy, I'm bored?"

I take a look at the guy. He looks like a lawyer, not a father. He thinks about it for a moment. I look in vain for a glimpse of human kindness in his eyes. He replies.

"I'd say, son, it's time to take responsibility for your life".

Thanks, Dad, that'll work.

no more diapers

Of course everyone has a story about a New York cab driver, so I'm offering nothing new here; but my journey from Newark Liberty into Manhattan earlier this week was a journey which lived up to the billing. The stereotype of NYC cabbies – or hacks – is that they talk fast and furious, negotiate the roads with psychotic abandon, and are, basically, nuts. The other stereotype, probably the truer one, is that in the yellow cabs of New York City you see immigration in action; wave after wave of economic migrants working the roads, united by their ambition for something better on the one hand and the depth of the story which led them there on the other. Somewhere between the two stereotypes is the fact, probably, and my hack was located exactly there. He was friendly, jovial, welcoming, and also hard to follow, disconcerting, intimidating – each in turn and all at once.

I climbed in the cab at the end of the afternoon, but having flown across the Atlantic I was shattered and at the tail end of a long day, my body telling me it was coming up to midnight. But when the driver – a tall, lean guy with a five o’clock shadow - welcomed me warmly I tried to engage him in conversation, and when I explained my job was treated to a loud and familiar story; that one day he would write a book and everyone would read it. It would be a life-changing book. We talked about the importance of reading, the importance of stories, and I believed him when he said that his life would be a story worth reading of – colourful because of where he came from and where he ended up, and important because it was true. At the same time, of course, I shrank back a bit – when I tell people I’m a publisher they often tell me that one day they'll write a book. I live in fear of them asking for a business card. And I spotted quickly that residing amongst the good humour there was a good deal of frustration. The book would tell it how it is, he told me, would talk of mis-justice and poverty, and the moral worth of the city he worked.

Where do you come from originally, I ask him, because he’s telling me about coming to the US. He tells me he is from Morocco, and so I tell him of the time, just the other week, when I ate at a restaurant in Southern Spain, and could see the North African coast on the horizon. As I say it, I speculate that I may be making a mistake. I’m right.

"What did you see between Spain and Morocco", he asks, and my heart sinks.

"Gibraltar", I tell him.

"And do you think that it is fair", he asks me, "that Gibraltar is considered the property of Britain".

I tell him that I don't know a lot about it, but that it doesn't seem fair to me, no – a response he scarcely notices as he launches into a long, protracted and hard-to-follow rant about imperialism, about the way the rich always fuck over the poor. Because I suspect I'm broadly in agreement with this, feeling that there’s a terrific unevenness in the world, I nod and provide the odd uncertain endorsement, which he occasionally acknowledges, but not always warmly – often I find I've either misunderstood a poorly explained point, or he suspects me of being a hypocrite or a rich-boy, and glances back sternly, repeating, "you understand what I’m saying?", again and again, to which I can only answer, falsely, "yes".

In Morocco, he tells me, everyone is happy. "But in Manhattan everyone goes to a psychiatrist. Why is that?"

He expects me to answer, but I'm growing weary and irritated now, refusing to provide him with responses. "There is no morality here", he says. He waves across the Hudson, which I'm getting an especially good look at, as he has completely missed a turning and is now having to take me in over the George Washington Bridge, doubling the length of the journey.

He's wistful for a moment. "It's beautiful. Do you have a camera?".

I shake my head.

"Over there, it is fun, yes?" He asks. I say yes. "Drink. Eat nice food. Go shopping. Nice girls?".

I realise that he's not talking up Manhattan at all, he's talking it down. Drink, food, girls – these things are not enough. I don’t tell him that they sound exactly like enough to me.

"And they all end up in psychiatrist!", he shouts. "Normal man, comes to New York, drinks, eats, fucks girls, gets to sixty and now he sees the psychiatrist. And then – pffft – all of a sudden, shits himself. And he is dressed in diapers. Diapers!".

I'm frankly a bit surprised that the conversation has taken this turn, so elect to stay quiet for a bit.

"In Morocco, no-one sees psychiatrist. No one wears diapers, shits himself. So what is it about this place that makes people like that?".

I don't answer so he repeats the question. I have a half-hearted go at trying to answer – mumbling something about economics and leisure time, but he cuts me off with another question. "Who decides that it costs sixty dollars to take this cab into Manhattan?", he demands. "Do I decide?". Before I can answer, he tells me no, he doesn't decide, someone else does. And he hammers the steering wheel with his fist – not angry, but vexed. "And it’s fucked up, man", he tells me. "Fu-ucked up".

After a bit more of this, his mood turns a bit sunnier. "This is what my book will be like!", he tells me. "You see, it will deal with big subjects! New York Taxi Driver, oh yes. I have lived in Spain. I have lived in Africa. Now. America. Is this not a good story?".

I tell him he should write his book, wishing I could append write it and shut the fuck up, to the suggestion.

"This is a good conversation", he declares, all smiles. He turns round – without slowing down – and shouts "high five".

In the most embarrassing, British way, I flap my palm against his. Despite everything, I'm sort of enjoying myself – it's impossible not to enjoy being driven across the Hudson, watching New York shimmering in the sun ahead of me. And this is, I keep reasoning to myself, an experience.

We've crossed into Harlem now, and I'm pleased for a moment that the journey has taken this wayward route, for it's a part of the city that I mightn't otherwise had time to see. It's amazingly vibrant, full of people, kids, old men sat in the sun. Everyone looks happy, I think.

"Here", the hack tells me, "everyone is happy. No psychiatrist. Because family is strong, you see – parents know where there children are, what they doing. Good place. I lived in Harlem. And where I lived in Morocco was like this too. Good community. No diapers".

Before long, however, we're heading downtown and the change of scenery effects another change in his temperament. He's back to cursing Manhattan morality, cross because he saw two kids skateboarding through lower Harlem, one Hispanic and one African-American. "What do you think happens when these different cultures mix?", he asks me. It's the latest in a series of questions I don’t want to answer, so I decide to stay silent, and let him rant while I sink into the back seat. By the time we finally reach the Upper West Side, where I'm staying, I shake myself awake to find him calm again, describing the contents of his book once more. "All the psychiatrists", he says, "they will be out of business when this book arrives. Do you know what it will be called?".

I can see my apartment block now, and the cab is stationary. I fumble for my money and pass him a wad of notes. I suddenly want to hear the answer.

"What will you call it?", I ask.

He makes me give him one last high five.

"No More Diapers", he tells me.

Friday, September 19, 2008

eat the rich

Really enjoying Tibor Fischer's excellent 'Good To Be God' at the moment which, apart from having a great plot, is full of wonderful, bleak one-liners and moments of throwaway, on-point philosophy. "This might be extremely superficial", his protagonist speculates at one point, "But the extremely superficial, like a tissue, can often get the job done."

The book is dark, funny and a bible for the ill-of-luck; brilliant stuff. When I've finished it I may come back to it here, so apologies if you read all of this again in days to come.

Here's the last paragraph I read before I wrote this; which I love.

"The rich who've made themselves rich I dislike because they,typically, think it's something to do with them. It's like the guy with the winning lottery ticket thinking he controls the lottery".