blood on the wall: awesomer

With the slew of good albums from British bands in the last few months, it's been easy to underestimate less immediate releases from America. Awesomer by Blood On The Wall is the latest in a run of slightly odd, left-field American records which has caught my attention in 2005. Like Wilderness and Clap Your Hands Say Yeah, both of whom released peculiar, wonderful records this year, BOTW recall early nineties indie-rock, specifically Sonic Youth and Pavement, yet cook up a slightly more aggressive stew by ignoring the early 80s post-punk sound which propelled those records in favour of the more crazed influence of Suicide, MC5 and Minor Threat.

Awesomer is a kind of schizophrenic record; Courtney's songs displaying a controlled black, drone-rock nonchalance while her brother Brad's revel in a loose, scuzzed up 90s tunefulness which is most obviously indebted to SY, Yo La Tengo and Scott Kannberg's delirious, foggy contributions to the Pavement canon. At times, like on opener 'Stoner Jam' or 'Right to Lite Tonight' they spin a sharp riff into a clattering groove; elsewhere, on 'Reunite On Ice' they spin out into more imaginative guitar work into something more substantial. On 'Mary Susan' they even have a go at a pop song, even it's just a new version of Kannberg's infinitely more marvellous 'Kennel District'.

There's nothing earth-shattering here, but it's a disorganised, slightly crazy record with some marvellous moments of noise - passionate, scruffy and fun. Recommended.

There are a few MP3s to try out over at Dodge's My Old Kentucky Blog, should you be tempted...